L e Lieu béni : pas de scène, le public l'occupe, le spectacle leur passe dans le sang

R éserve d'oiseaux

Yuika Hokama jouant L’Amant dans la nature d’un parc inouï, réserve d’oiseaux, dans la pleine soirée d’une journée de juin, la lumière qui baisse il faut bien la vivre — ivre —, mourir est une chose si ancienne, chaque jour, quelques éclats de soleil sur sa peau dorée et puis, à la fin, le cosmos de la sorcière, les chauves-souris, le chien Hadès, le camion de lait, dans l’histoire le lever du soleil sur la mer après la mort du jeune homme et ces dernières lignes d’un poème d’Emily Dickinson qui parlent le mieux de l’oppression de l’émotion de cette petite communauté humaine intacte avec la vie, avec les bêtes, avec les arbres, depuis toujours, depuis si longtemps, c’est de Yuika Hokama (au château de la Ballue) dont on parle ici :

« Elle vient, le Paysage écoute — 

Les Ombres — retiennent leur souffle — 

Elle s’en va, on dirait la Distance

Sur la face de la Mort »

E xtraits de Mrs Dalloway, Emily Dickinson et aussi ce poème de Wallace Stevens auquel j'ai repensé pendant que tu jouais — encore bravo, c'était très, très, très beau !

She would not say of any one in the world now that they were this or were that. She felt very young; at the same time unspeakably aged. She sliced like a knife through everything; at the same time was outside, looking on. She had a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very dangerous to live even one day. Not that she thought herself clever, or much out of the ordinary. How she had got through life on the few twigs of knowledge Fräulein Daniels gave them she could not think. She knew nothing; no language, no history; she scarcely read a book now, except memoirs in bed; and yet to her it was absolutely absorbing; all this; the cabs passing; and she would not say of Peter, she would not say of herself, I am this, I am that.

Her only gift was knowing people almost by instinct, she thought, walking on.

*

There's a certain Slant of light,

Winter Afternoons –

That oppresses, like the Heft

Of Cathedral Tunes –

Heavenly Hurt, it gives us –

We can find no scar,

But internal difference –

Where the Meanings, are –

None may teach it – Any –

'Tis the seal Despair –

An imperial affliction

Sent us of the Air –

When it comes, the Landscape listens –

Shadows – hold their breath –

When it goes, 'tis like the Distance

On the look of Death –

*

Re-Statement of Romance

The night knows nothing of the chants of night.

It is what it is as I am what I am:

And in perceiving this I best perceive myself

And you. Only we two may interchange

Each in the other what each has to give.

Only we two are one, not you and night,

Nor night and I, but you and I, alone,

So much alone, so deeply by ourselves,

So far beyond the casual solitudes,

That night is only the background of our selves,

Supremely true each to its separate self,

In the pale light that each upon the other throws.

C e soir L'AMANT, spéciale dédicace aux jeunes mariés Lazare et Louise

http://www.extensionsauvage.com/yves-noel-genod-l-amant